cannes film festival movies

The Safdie brothers? The 70th Cannes Film Festival took place from 17 to 28 May 2017, in Cannes, France. Movies. Per tradition, we’ve done our homework to ensure that we only include titles that stand a realistic shot at showing up in the program, even under these unconventional circumstances. Cannes festival 2019: full list of films This article is more than 1 year old All the films screening at the 72nd edition of France’s celebrated film festival —EK. A semi-autobiographical drama about a filmmaking couple (Mia Wasikowska and Anders Danielsen Lie) who retreat to Ingmar Bergman’s resting place in order to write their next scripts and then slowly lose sight of the line between fiction and reality, Mia Hansen-Løve’s “Bergman Island” has been at the top of our “most anticipated” list since the project was first announced with Greta Gerwig in the lead role. On Wednesday 3 June at 6:00pm, Pierre Lescure and Thierry Frémaux have announced the line-up of the 73rd edition of the Festival de Cannes, live from the UGC Normandie in Paris. After breaking out of a mental asylum, she sets out to make it on her own in New Orleans, where the film was shot on location and is, of course, every filmmaker’s playground for all things magical. For a certain class of contemporary cinephile, a new Wright joint is always going to be an event, and while details remain slim on “Soho,” movie obsessive Wright has already let slip a few inspirations, naming other British horror films like “Don’t Look Now” and “Repulsion” as guide posts. And while there were efforts during that time to collaborate with Isabelle Adjani on a film of some kind, nothing came from those until now. But no matter how much the world has put its major events on hold, there are a wealth of other finished or just-finished projects out there that look strong enough to justify a Cannes launch, if and when that happens. Mexican filmmaker Alejandro González Iñárritu served as jury president. These are the ingredients of the Cannes Film Festival – an annual showcase of the biggest and best new movies from esteemed filmmakers around the … Jon Hamm! Cannes, 1999. Nolan has never debuted a directorial effort in Cannes, but would “Tenet” have been the first one? Talk about a literal title: The ensuing plot finds the woman and her new animal companion heading on an unexpected journey through the wilderness, and it sounds like just the sort of minimalist slapstick enterprise that could resonate as a lighthearted crowdpleaser in a Cannes sidebar. “The Hill Where the Lionesses Roar” screened only a few minutes for industry attendees at the Les Arcs Film Festival last December and won an audience engagement prize there. Cannes Film Festival - one of the most exclusive and long-standing movie events in the history of cinema - kicks off today. After the extreme adult eroticism of “Double Lover,” Ozon lovers might be relieved to see the director putting his lens on teenage love. The 41st Cannes Film Festival was held from 11 to 23 May 1988.The Palme d'Or went to the Pelle erobreren by Bille August.. Interviews with leading film and TV creators about their process and craft. The film also stars Gugu Mbatha-Raw, Penelope Wilton, and Lucas Bond and promises something increasingly rare: a new look at wartime through the eyes of a female lead. It’s worth a shot. Grossing more than $90 million worldwide, Yeon Sang-ho’s frenetic “Train to Busan” stood above the recent horde of zombie movies because of memorable performances, a clever use of space, and an open-hearted message about the need to stick together in the face of a crisis (good advice!). Director: Sergei Loznitsa … (Oddly enough, her “Vision” skipped Cannes in 2018, and surfaced in the fall instead. Cannes loves movies about American society (especially impoverished American society) that use film language in exciting new ways, and the international profile sometimes helps clarify the talent at hand by pushing beyond the “documentary” moniker. The filmmaker has described the movie as another dreamlike descent into a lyrical world just a few degrees removed from the real one, while still immersed in real places and people. She tracks him down to the Cévennes mountains trail, but he’s long-gone, leaving only a donkey in his wake. This Article is related to: Film and tagged Cannes, Christopher Nolan, Edgar Wright, Festivals, Wes Anderson. While the premise of “Home” suggests a more grounded drama, the movie is produced by leading German film company Augenschein Filmproduktion, which also counts the astounding 2017 Georgian drama “My Happy Family” and the Joseph Gordon-Levitt thriller “7500” among its recent output. A landmark of the Italian neorealist movement, Rome, Open City was one of 11 winners at the 1946 festival. It’s too soon to know if Yeon will be able to recapture the same lightning in a bottle on a much bigger canvas, but it’s safe to assume that Cannes will be the first place to find out; “Train to Busan” premiered in a midnight slot there, and “Peninsula” will almost certainly follow suit if it can. Cannes Film Festival Award-Winning Films To Watch: ‘La Dolce Vita’ ... May 12 should have been the day of the opening of the 73rd edition of the Cannes Film Festival… Chasen Parker, a 24-year-old filmmaker from The Woodlands, has achieved one of the ultimate goals for a movie director: showcasing his work at the prestigious Cannes Film Festival. That itself is an exciting shift, given that Weerasethakul has been the foremost cinematic chronicler of his country’s mythological and historical identity. —EK. On 13 January 2020, Spike Lee was named as the president of the Jury. Copyright © 2021 Penske Business Media, LLC. See more hits from Cannes. David Robert Mitchell? Movies. Thai auteur Weerasethakul has been a Cannes regular ever since “Uncle Boonmee Who Could Recall His Past Lives” won the Palme d’Or in 2010, but “Memoria” marks the first time he’s worked outside his own country. Italian director Nanni Moretti is hardly a stranger to Cannes. and rising talents (from Glenn Powell to Jay Ellis, Danny Ramirez to Lewis Pullman), and would have benefited immensely from the global stage Cannes sets out. Of course. Amirpour has yet to bring a film to Cannes, and with increased pressure on the festival to make room for women directors, especially diverse ones, um, hello, there’s a visionary one right here. Short films (between 1 and 35 minutes) can be registered for the Short Film Corner: a meeting place dedicated to short films within the Festival de Cannes. The Festival de Cannes does not accept films with a duration of between 15 and 60 minutes. Unfolding through home video material and poignant footage of understated moments in Rich’s personal struggle, “Time” transcends the traditional boundaries of socially conscious filmmaking to become an illuminating window into the intimate casualties of the American justice system. A film that premiered at the Cannes Film Festival this week reportedly caused outrage and prompted walkouts due to its lengthy ... Kechiche is best known for his 2013 movie … The Spanish Academy of Film Arts and Sciences announced this morning the films selected to compete for the # Goya2021 that will be held on March 6. Oscar Season Has a Long Way to Go: Here Are the Contenders Most People Haven’t Seen Yet, 10 Ways 2020 Changed the Film Industry, from Streaming Wars to Film Festivals, Screen Talk’s Christmas Movie Guide: Everything You Need to Know About the Best New Releases This Week, How ‘Gunda’ Captured the Hypnotic Images and Vivid Sounds of a Pig’s Life — Toolkit, The Art of ‘Bloody Nose, Empty Pockets’ Is Not Its Manufactured Setup – Toolkit, ‘Dick Johnson Is Dead’: Kirsten Johnson Made Cinema Magic Out of Embracing the Unknown, 35 Must-See New Movies to See This Fall Season, The 7 Best Movies New to Netflix in January 2021, A Reduced-Price ‘Tenet’ and PVOD Debut ‘Fatale’ Stand Out in Home Viewing, ‘Dont Look Up’ First Footage Unites DiCaprio and Lawrence as Netflix Touts 2021 Movie Lineup. Otherwise known as “ADN” in French, “DNA” centers on a woman close to her Algerian grandfather who, after his death, must confront the complicated upbringing from which he tried to protect her. That magical approach stands a good chance at resurrecting the face that helped humanize the trauma of the Holocaust, and in time, as the number of living Holocaust survivors continues to dwindle. —ZS. Starring Gemma Arterton as a reclusive writer, the film is set during World War II and finds Arterton’s Alice unexpectedly in charge of a young man after the London Blitz. —EK. But the movie has been in the can for a minute, and would be a natural fit on the Croisette if it maintains even a fraction of the bouncy throwback energy that have made Leon’s previous work feel so fresh. He followed that up with the daring 2013 Directors’ Fortnight opener “The Congress,” a blend of animation and live action so tapped into the scary potential of modern technology it has now looks downright prophetic. —RL, It can be hard to predict which young American filmmakers will be embraced by the Cannes selection committee, though it always seems to make sense in hindsight. Here's a look at six mainstream movies that premiered at Cannes and went on to find box office or critical success. —RL. Maïwenn’s previous films demonstrated dexterity behind of and in front of the camera, and both with a tremendous capacity to disturb as the director and actress puts the crimes of her country past on trial. Co-starring Julianne Moore and Jennifer Jason Leigh as are-they-or-aren’t-they doppelgangers taunting Adams’ Anna Fox after she witnesses a crime from behind the blinds of her New York City brownstone, the movie is already primed for controversy. For the occasion, Thierry Frémaux, the Festival's General Delegate, has unveiled the 2020's Official Selection, comprising fifty-six films to be accompanied by the Festival for their release in cinemas and screenings at certain festivals. Years have passed — in the interim, Folman created “En Terapia,” the Israeli series that inspired HBO’s “In Therapy” — but fans of his last two features have been keen on seeing what else he can do with his distinctive style. By Eric Kohn, Kate Erbland, David Ehrlich, Ryan Lattanzio, Zack Sharf. —DE, François Ozon is no stranger to the Cannes Film Festival, having competed for the Palme d’Or with “Swimming Pool” and “Double Lover,” and he could’ve been back in the running for the festival’s top prize in 2020 with his new directorial effort “Summer of ’85.” Ozon is renowned for his fearless explorations of sexuality, and “Summer of ’85” is pure Ozon territory as it tells the story of a 16-year-old boy who capsizes off the coast of Normandy and is saved by an 18-year-old teenager. That hasn’t changed, so time will tell whether this potential Cannes coup works out. Ismael's Ghosts, directed by French director Arnaud Desplechin, was the opening film for the festival. If the trailer released last year is any indication, this film should if nothing else deliver a powerful triumvirate of actresses chewing the hell out of a soapy premise. All rights reserved. Sign Up: Stay on top of the latest breaking film and TV news! ), Dupieux’s storytelling always takes baffling turns — think David Lynch meets Monty Python — and it’s safe to assume that “Mandibules” will deliver a very appealing ride. Cannes' Marché du Film 2020: Online from... REPLAY ! Joe Wright’s “Rear Window”-style psychological thriller about the mental collapse of an agoraphobic, alcoholic psychologist (Amy Adams) has already endured many a pushback from Disney-owned 20th Century Studios. While much of the praise surrounding “Portrait of a Lady on Fire” centered on the performances from Noémie Merlant and Adèle Haenel, Luàna Bajrami held her own as the movie’s supportive maid, and won the “Most Promising Actress” prize from 2020 Césars. “ADN” has the potential to do that in an even more personal way than before. Based on a 2015 novel by Mizuki Tsujimura, the story follows a woman who adopts a child, only to be contacted by her baby’s birth mother. —KE. Taxi Driver (1976) Martin Scorsese’s fifth film nearly eclipsed his good early efforts, and you can … Just because Cannes won’t take place at the usual time doesn’t change the caliber of cinema that could have shown up there — and, hey, still might — so we’re proceeding with business as usual. The cast also includes recent Oscar nominee Kathy Bates and “Get Out” sensation Lil Rel Howery. Wes Anderson has used the Berlin International Film Festival to launch his last two feature films, “The Grand Budapest Hotel” and “Isle of Dogs,” but 2020 was supposed to mark the auteur’s big return to Cannes with his new project, “The French Dispatch.” Anderson was last at Cannes with “Moonrise Kingdom,” which world premiered on the opening night of the 2012 event. Acquired during post-production by NEON as the U.S. distributed reaped the box office rewards of “Parasite,” the movie could be the latest to find support from the latest company to figure out how to push non-English cinema into the mainstream. Here are 25 of them. —EK, Edgar Wright’s latest has been veiled in secrecy for months, but no bother. Co-written by the screenwriter of “A Prophet” and starring Adjani, Maiwenn, and Rachida Bakri as its eponymous sisters, “Soeurs” finds Benguigui splitting her persona into three equal shards for a story about a filmmaker, a politician, and a businesswoman each navigate their relationships to their home and adopted countries. Driver went viral last year with his grand Sondheim moment in “Marriage Story,” so “Annette” is perfectly situated to take that musical potential to more daring heights, while finally allowing Carax’s dreamlike storytelling abilities to reach a wider audience. With Anouk Aimée, Rachel Bailit, Greta Scacchi, Maximilian Schell. And maybe it still will. Five female directors are also featured in the 2020 Official Selection. Nineteen years since “Inch’Allah Dimanche” premiered at TIFF, Benguigui has wrapped a new fiction project. Filming took place in 2019, with the cast including Margherita Buy, Riccardo Scamarcio, Alba Rohrwacher, and Moretti himself, so this one looks ready to go for the 2020 festival circuit. But, like, fun, right? German actress Potente has been a recognizable face in current cinema for over 20 years, starting with her iconic turn in “Run Lola Run,” and continuing through a string of Hollywood credits, from “Blow” to “The Bourne Identity.” This year, however, she’s poised to move into the directing chair with her feature-length debut with the California-set “Home,” which stars Jake McLaughlin as an ex-con who returns from a 20-year prison stint and struggles to settle back into his old hometown despite lingering resentment for the crime that put him away in the first place. —EK. The movie follows three teen women who decide to break the monotony of their daily routines by plotting a heist. The story reportedly unfolds from the perspective of Frank’s imaginary friend Kitty, who becomes more real as Frank addresses her through her diary entries. Adam Driver stars as a standup comedian who, along with his famous soprano wife played by Marion Cotillard, raises a child with an enigmatic gift. Donbass. Her 2011 Paris-set crime drama “Polisse” scooped up the Cannes Jury Prize, followed by 13 César Award nominations the following year. —EK. For a festival that loves stars, it would not have gotten better than the red carpet for “The French Dispatch”: Tilda Swinton, Bill Murray, Timothee Chalamet, Lea Seydoux, Benicio del Toro, Elisabeth Moss, Owen Wilson, Frances McDormand, and more. A debut on the Croisette for the film, still set to hit theaters in September from Focus Features, would have been a match made in a movie-lover heaven. There’s nothing conventional about Folman’s techniques to date, which means that this version of “Anne Frank” is poised to make the material resonant in a whole new light, whenever it gets out there. One can only hope. Maïwenn will also star in the film, alongside Fanny Ardant, Louis Garrel, and Marine Vacth. Since then, radio silence…until last year, when Carax finally started production on what has sounded like his most ambitious project to date, and his first foray into English language. She smashed the conventions of vampire movies and spaghetti westerns with 2014’s “A Girl Walks Home Alone at Night,” and did it again with the post-apocalyptic shoot-em-up “The Bad Batch,” the Iranian-American director’s 2017 English-language debut. Apichatpong Weerasethakul and Tilda Swinton, Weerasethakul’s movies are usually an acquired taste, but those willing to open themselves up to his singular vision are rewarded with truly unexpected ways of experiencing the modern world. Award-winners and contenders from Cannes Film Festival (2010) Menu. Cannes film festival 2018: full list of films This article is more than 2 years old The official selection has been announced for the 71st Cannes film festival running 8-19 May. For his latest project, Folman has tackled one of the most widely known literary figures of the 20th century by giving her a whole new platform. With “Mona Lisa and the Blood Moon,” Amirpour has lined up her biggest cast yet, including Kate Hudson, Craig Robinson, and Korean actress Jun Jong-Seo, the breakout supporting star of 2018’s Cannes sensation “Burning.”, With another original script from Amirpour, this time using the fantasy and adventure genres as her springboard, “Mona Lisa” turns on a young girl with magical and potentially volatile powers. In any year, a Cannes premiere for French writer/director/actress Maïwenn’s new film is an inevitability. Sign up for our Email Newsletters here. While many Cannes critics tend to ignore her work at the festival, Kawase’s allegorical fantasies have won plenty of fans over the years. —KE. Sign up for our Email Newsletters here. “Vincere” (2009) The early life and rise to power of Benito Mussolini is the subject of this thrillingly … Moretti’s more recent films, from 2015’s “My Mother” to 2011’s “We Have a Pope,” bring humor to serious subject matter, often bringing a much needed lightness to a Croisette lined with heavy, heavy movies. The festival opened with Le Grand Bleu, directed by Luc Besson and closed with Willow, directed by Ron Howard. However, due to the COVID-19 pandemic in France, festival management announced on 14 April 2020 that the festival could not be held in its "original form", with alternative means of observing the festival being explored. In any case, what we do know is more than enough to get excited. The short films competition, which culminates in the jury awarding the Short Film Palme d’or, will take place next autumn at the Palais des festivals in Cannes. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Potente first ventured into filmmaking with the 43-minute 2006 effort “Digging for Belladona,” the endearing story of a punk trapped in a 1918 melodrama that proved Potente had real directorial vision. Production : GO GIGI GO PRODUCTIONS LLC - Distribution France : SONY PICTURES RELEASING, 9 JOURS A RAQQA by Xavier de Lauzanne - (France) - 1h30, ANTOINETTE DANS LES CÉVENNES by Caroline Vignal (France) - 1h35, Production : CHAPKA FILMS  / LA FILMERIE - International Sales : PLAYTIME - French Distribution : DIAPHANA DISTRIBUTION, LES DEUX ALFRED by Bruno Podalydès (France) - 1h30, Production : WHY NOT PRODUCTIONS - French Distribution : UGC DISTRIBUTION, UN TRIOMPHE (The big hit) by Emmanuel Courcol (France) - 1h40, Production : AGAT FILMS & CIE - International Sales : MK2 FILMS - French Distribution : MEMENTO FILMS DISTRIBUTION, L’ORIGINE DU MONDE by Laurent Lafitte (France) - 1st film, Production : TRESOR FILMS - International Sales : STUDIO CANAL - French Distribution : STUDIO CANAL, LE DISCOURS by Laurent Tirard (France) - 1h27, Production : LES FILMS SUR MESURE - International Sales : CHARADES - French Distribution : LE PACTE, AYA TO MAJO (Earwig and the Witch) by Gorô Miyazaki (Japan) - 1h22, Production : NHK / NHK ENTERPRISES / STUDIO GHIBLI - International Sales : WILD BUNCH INTERNATIONAL, FLEE by Jonas Poher Rasmussen (Denmark) - 1h30, Production : FINAL CUT FOR REAL / SUN CREATURE STUDIO - International Sales : CINEPHIL, JOSEP by Aurel (France) - 1h20 - 1st film, Production : LES FILMS D'ICI - International Sales : THE PARTY FILM SALES - French Distribution : SOPHIE DULAC DISTRIBUTION, Production : PIXAR ANIMATION STUDIOS - French Distribution : THE WALT DISNEY COMPANY. After breaking onto the international stage with her widely acclaimed “Inch’Allah Dimanche” in 2001, Yamina Benguigui — a French filmmaker of Algerian descent — seemed poised to become a mainstay on the international festival circuit. When the animation house premiered “Inside Out” at the festival in 2015, the reaction was hugely positive — a journey through the headlines of stories about its premiere mostly hinge on shock that such a Hollywood offering would be this well-received at Cannes of all places — and it looked as if the festival was preparing for a repeat with “Soul.”, Pixar’s next film, set (for now) for a June release, even looks like a smart spiritual sister to “Inside Out.” While that movie was about the warring emotions that drive the human mind, Pete Docter’s followup is all about the soul that gives people their humanity. At TIFF, Benguigui has wrapped a new fiction project 1946, the Garai-starring! 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